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Julius Rolshoven (Detroit, 28 October 1858 – New York City, 8 December 1930) was a well-traveled American painter, with work firmly in the academic tradition. ==Biography== Rolshoven was born and raised in Detroit. At 18 he went to New York City to study at the Cooper Union Art School, then the Düsseldorf Academy, then continued on to Munich, studying under the Kentucky-born artist Frank Duveneck in his Venice and Florence schools, becoming one of the "Duveneck Boys". After some years in Paris and London, Rolshoven decided to settle in Florence in 1902. In 1905, while he was drawing outdoors, he discovered a building that had maintained the old charm of a castle, called "Devil's Castle"〔Cf. F. COTTON, ''The Tower of the Devils. Retrieving a Tuscan Castle'', The Sun, Sunday, June 14, 1908, p. 7.〕 and belonged to the family Talani. The artist was so enthusiastic of the environment that in 1907 he bought the property in state of disrepair.〔Cf. R. FERRAZZA, ''Palazzo Davanzati e le collezioni di Elia Volpi'', Firenze, Centro Di, p. 162.〕 Finally Rolshoven returned to the United States at the beginning of World War I. In December 1915 he married his second wife Harriette Haynes Blazo in Los Angeles. By 1916 Rolshoven had settled in the American southwest, setting up a studio in Santa Fe's Governor's Palace. He was also an early member of the Taos Society of Artists. From 1920 until his death he moved back and forth among his three residences, Florence, Detroit and Santa Fe. He died on shipboard in the Atlantic.〔Cf. V. C. LEAVITT, ''Artists Julius Rolshoven (1858-1930)'', in A. P. A. Belloli and M. P. DeMarsche (edited by), "Artists of Michigan from the nineteenth century: a sesquicentennial exhibition commemorating Michigan statehood, 1837-1987: the Muskegon Museum of Art, the Detroit Historical Museum", Muskegon (Michigan), Muskegon Museum of Art, 1987, pp. 148-149〕 "He lived for 40 years in Florence, Italy, his adopted home, re-converting a 900-year-old home, "Castello del Diavolo" into an estate so spendid that an impressed Italian government designated it as a national monument".〔''Rolshoven Gift May Be Largest'', Albuquerque Journal, Sunday, September 15, 1957, cit., pp. 1 and 4〕 In September 1957 Mrs. Rolshoven, widow of the late renowned artist, signed an agreement for a total donation in favor of the University of New Mexico of $ 100,000, of which $ 15,000 immediately and the remaining $ 85,000 to be paid later and from her assets; in addition, she donated twenty works made by her husband, who were prudently estimated approximately between $ 50,000 and $ 75,000.〔Cf. ''Rolshoven Gift May Be Largest'', Albuquerque Journal, Sunday, September 15, 1957, pp. 1 and 4.〕〔Cf. A. D. CLARK, ''21 Rolshoven Canvases Are Presented To University'', The New Mexican, Sunday, September 15, 1957, p. 5.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Julius Rolshoven」の詳細全文を読む スポンサード リンク
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